Edward Leedskalnin (January 12, 1887, Stāmeriena parish, Livonia; December 7, 1951, Miami) was an eccentric Latvian emigrant to the United States and amateur sculptor who single-handedly built the monument known as Coral Castle in Florida (http://coralcastle.com/).
Scientists and engineers who have marvelled at its intricacies offer no logical explanation as to exactly how its builder lifted and placed the huge coral blocks.
Altogether, Leedskalnin used over thirteen million pounds of coral block in the construction of Coral Castle’s walls , tower and artistic creations. He was a tiny, frail man. He barely stood 5’ 6" tall, and never weighed over 110 pounds; yet he, single-handedly, built Coral Castle. He had very little formal education, perhaps a fifth grade level at best. For over 25 years he built, improved and added to Coral Castle, until his death from malnutrition, at the age of 64 in December 1951.
He took his secrets with him to his grave, despite the fact that he left behind him 5 pamphlets, namely, the coded and enigmatic “Magnetic Current”.
He permitted no one, absolutely nobody to ever watch him at work, alone at night. The closest hint he ever gave explaining his clandestine methods was that he would remark to close friends that he knew “the secrets used in the building of the Egyptian pyramids”.
Meaning, he knew of the unlimited power available through the process of harnessing certain vibrations of sound. He was aware of the free energy available through musical resonances. In addition, he also knew that light rays, or waves, contained tremendous amounts of power that could be put to work.
When people asked Leedskalnin how he had moved all of the stone by himself, he refused to give over his method and would only reply to whoever was asking with the same statement: "I understand the laws of weight and leverage and I know the secrets of the people who built the pyramids (being those at the site at Giza in Egypt)." After years of being questioned why he would not reveal the secrets of the pyramid builders, terminally replied "If the world had unlimited power it would destroy itself".
Contradicting the standard model of electromagnetism, his thesis is based upon the theory that the metal itself is not the magnet and that the real magnets are circulating in the metal. These individual north and south pole magnets are particles smaller than atoms or photons and each particle in the substance was an individual magnet by itself.
Leedskalnin claimed that all matter was being acted upon by what he called "individual magnets". He also claimed that scientists of his time were looking in the wrong place for their understanding of electricity and that they were only observing "one half of the whole concept" with "one sided tools of measurement".
He built an “apparatus” which created an electro-magnetic current, or flux, resulting in a perpetually flowing circuit of electrical energy. No outside energy source was required to maintain the current. To activate it, certain “pipes” had to be struck with a small hand held hammer, that produced musical tones which created a special vibrational resonance.
When a special musical chord is reached, it does not diminish in sound intensity, but is held in constant audible amplification by the action of the said electro-magnetic flux. This musical chord will effect a natural weight or buoyancy, in the object, which causes it to lose its weight and float slowly off the ground. At this point, in order to then raise the object from its neutral position and lift it up in elevation, a different series of musical notes are struck on the pipes. This new chord then cancels out the neutral chord, and its lifting effect takes over, at which time the object rises to the pointing of the levitation instrument. Next, In order to then move the object from point A to point B, an additional musical chord is struck. This is known as the moving chord. There is several other special musical chords that are played to move the object at different angles, and there is one for moving the object closer or further away also.
To explain the concept of how the music moves the object is very difficult. The music, in effect, creates a state of electro-magnetic equilibrium in the object.
The music is emitted as vibrational energy waves and they actually nullify the objects gravity, thus causing it to lose it’s weight. The applicable power and range of such a device is limited to certain mathematical specifications. These have to do with the size of the pipes, frame, magnets, and other components.
If Edward Leedskalnin could have tape recorded himself at work moving the huge coral blocks about at Coral Castle, it would have sounded as if he were instead, playing a strangely intriguing melody on an instrument sounding similar to a xylophone.
His work stands today, in Miami, to the amazement of whoever sees it.
And it is inexplicable.
Except, maybe, to U-Boat Kapitans.
Wikipedia : http://en.wikipedia.org/wiki/Edward_Leedskalnin
“Magnetic Current” (plus other 4 pamphlets) here : http://www.leedskalnin.com/Leedskalnins ... RRENT.html